Choosing Leather

Despite that your typical leather product is made with ultra-cheap leather, there are actually a ton of superb leathers out there.

Different kinds of leather can have very different characteristics.

Here are few key things to differentiate when choosing your next piece.

Shinki Shell Cordovan

Shell Cordovan from Shinki-Hikaku

La Bretagna Art. Deco

Milled vegetable tanned leather

1. Tannage

Tanning is the process of turning animal hides into leather.

There are two basic types. Vegetable and mineral*.

Vegetable tanning uses organic materials that contain tannins, like tree bark. The resulting leather looks and feels quite natural and will continue to develop character as it ages. Expect to see colors become darker and textures become smoother over time.

Mineral tanned leathers, instead use, mineral salts and are generally softer, allow colors that are more vibrant, and are more resistant to water and scratches.

It’s also not uncommon to combine the two.

*Mineral tanned leathers are widely referred to as “chrome tanned” due to the prevalence of using chromium salts.


2. Texture

For common leathers, like cowhide, texture comes about in basically two ways. One is by milling (tumbling) the leather, which can give it rich, albeit inconsistent, texture.

The other is by embossing (or printing) a pattern onto the leather. Typically a pattern that emulates natural grain is used, but other prints are popular, as well.

Milling makes the leather softer, while embossing makes it firmer.


Saffiano from French tannery, Alran

Badalassi Carlo Wax

Italian pull-up leather

3. Finish

There are three basic types of finishes: aniline, semi-aniline, and pigmented.

Aniline leather employs water-based dye to best express the natural beauty of the skin. The very best hides are typically selected and the resulting leather is among the most desirable.

The advantages of aniline leather are that it has the most natural look and most luxurious feel. It also tends to fare the best over a long period of time, since there’s no heavy finish to degrade.

The disadvantages are that it will soil more easily and the color will darken as it ages.

Semi-aniline leather, by definition, can be dyed and or finished with the aid of pigments provided the natural surface of the skin is still visible.

Compared to aniline leather, there are typically a few differences: 1. It has better color fastness and uniformity  2. There is better resistance to water and scratches 3. The feel is not as supple and luxurious.

Pigmented leather is the most resistant, but least natural feeling finish. The natural surface of the skin isn’t visible and the color is uniform. Pigmented leather typically resists short-term wear very well, but will not handle damage or long-term wear as well as a good quality aniline or semi-aniline leather.


4. Animal

Animal hides are byproduct of the meat industry. Therefore, the most common leathers come from cattle, pigs, sheep, and goats.

Cowhide is arguably the most important and versatile of the bunch. And calfskin, while not as versatile as cowhide, is the chief leather used in fine footwear and many other luxury goods.

Goatskin is another luxurious choice that’s both durable and attractive.

As for pigskin, the grain is quite porous and doesn’t make its way into many fine leather goods. Whereas sheepskin’s shortcoming is that it is far more fragile than the other three.

Products made from cowhide, calfskin or goatskin can be remarkably resilient and endure for many years. And there’s no need to look any further for a durable and luxurious material.

That said, there are many other types of leathers worthy of consideration. Some of the most sought after include: shell cordovan, alligator & crocodile, python, and ostrich.

Remy Carriat Lagun

Milled cowhide from French tannery, Remy Carriat

Leder Ogawa Cordovan

Aniline Shell Cordovan from Leder Ogawa

5. Origin

The production of the highest regarded leather is concentrated in just a handful of countries. Italy and France top the list with rich tanning traditions and and a thriving modern industry. Japan, Germany, and the UK also have several tanneries each that produce some of the world’s finest leather. There are, of course, many fine tanneries dotted about the globe, but chances are you’ll find the nicest examples produced in one of the aforementioned regions.


So, what’s the best leather for you?

For leather that looks, feels, and smells great and will develop a lot of character as it ages, look to vegetable tanned cowhide and shell cordovan. Many of the nicest examples are produced in Italy and Japan. Italian tanneries in the Santa Croce region, produce a multitude of beautiful veg tans, while Japan produces some of the finest traditionally pit-tanned cowhide and shell cordovan.

Looking for something a more rugged aesthetic? A pull-up leather might fit the bill. Excellent options can be found from Italian or American tanneries.

For a refined and luxurious option that is more resistant to wear (i.e. slower patina), look to France and Germany for elite quality. French and German calfskin, as well as chèvre (goatskin) are excellent options.

Whatever leather you end up with, you’re in for a treat opting for a product made of proper leather and will likely have something to treasure for years to come.

How to buy a leather wallet that lasts

Getting a good quality leather wallet isn’t as simple as spending more.

Most mainstream options, regardless of price, use cheap materials and construction and degrade rapidly.

How do you distinguish the good from the bad? Here’s what to look for.

1. All leather construction.

If you peep down the pockets of just about any random leather wallet, you’ll see the number one reason why they don’t last–synthetic fabric. Most “leather” wallets in actuality are cloth wallets covered with cheap leather.

2. Excellent quality leather

This can be quite difficult to determine, but luckily there are some clues to light the way.

Makers that use the good stuff won’t hide it. Information about where the leather comes from, what type of tannage, and finish are all good signs. Absence of this information often indicates low or middling quality.

The finest leather generally comes from Italy, France, the UK, the US, Germany, and Japan. Buying leather produced in one of these countries increase the odds that you’re getting top tier quality.*

3. Burnished or painted edges

Burnished or painted edges are not only essential to protect the edges from fraying and premature wear, but elevate the looks of the product considerably.

Most products are finished poorly, if at all, as a proper edge takes careful planning, skill, and a lot of time to execute properly.

Quality features tend to go together. It doesn’t make sense to skimp on leather if you’re going to construct a wallet well, and in turn, excellent leather doesn’t really belong in a poorly made product. 

Where to buy

There are many very talented makers out there producing fantastic wallets with top of the line materials and construction. They have taken the time to develop skill and offer a quality and value than just cannot be matched by bigger companies. Buy from one of them, and you’ll have a wallet that not only will last, but look great, for years. I’d suggest finding a maker through social media that jibes well with you.

*Below I’ve listed the countries that produce the highest regarded leather, as well as some of the better known tanneries and products to come out of each.


Italy is chock-full of tanneries, but perhaps it’s best known for its vegetable tanned leather. And there’s no better example of this than those tanneries that are part of the Consorzio Vera Pelle (Italian Vegetable Tanned Leather Consortium). Some of the member tanneries include: Badalassi Carlo (makers of Pueblo and Minerva Box), Conceria Walpier (makers of Buttero), La Bretagna, La Perla Azzurra (makers of Dakota), and Tempesti.


Thanks to an extensive luxury leather goods industry, French tanneries offer an elite selection of leathers. The most well-known ones, in contrast to Italy, are chrome tanned, with exemplary examples of calf and goatskin leathers.

Tanneries Haas, Degermann, Du Puy, and D’Annonay are well-known for their calf leathers, including printed calf (e.g. “Epsom”). Remy Carriat is a wonderful example of taurillon leather.

Tanneries Alran, Relma, and Jullien are best known for their goatskin (chèvre).


German tanneries are fewer in number, but the quality of the products are at least as well regarded as their French counterparts. The most well-known are Weinheimer and Perlinger which focus on calfskin.

United Kingdom

The UK is best known for its bridle leather. J&FJ Baker is perhaps the highest regarded of the bunch with a 1 year+ traditional oak bark tanning. Clayton and J.E. Sedgwick are other highly regarded producers of bridle and other leathers.


Japan has a very healthy tanning industry. Their best known leathers are all traditional pit-tanned leathers. Of which, Shinki-Hikaku is probably the best known thanks to their beautiful cordovan. Whereas, Shonan and Tochigi are also highly prized for their veg tan cowhide.

United States

The tanning industry isn’t quite it once was, but there still are at least a handful of tanneries making the good stuff. The best known by far, of course, is Horween. They are best known for their shell cordovan and Chromexcel® leathers. Other tanneries of note are Hermann Oak and Wickett & Craig.

The Making of a Minimalist Wallet

Here’s how I make our minimalist wallet.

Here are the hand tools I’ll be using to make the wallet.

First, I cut out all the pieces.

I’m using two of my favorite leathers, Pueblo from Badalassi Carlo and Buttero from Conceria Walpier. They’re two of the most famous leathers in the leathercraft world. A lot of the world’s best leather comes from a cluster of tanneries in Tuscany, these two included.

I’m using the ‘nazionale’ color for Pueblo and orange for Buttero. Blue and orange is quite easy on the eyes.

I use a die for the 2 ‘T-slots’ to save some time. The other pieces are hand cut. Quality-wise it doesn’t matter much how the pieces are cut initially.

Next I remove some material from the slots, which reduces a little unneeded bulk and helps so that the slots’ shape don’t show through.

Next, I crease and burnish the card pockets. Creasing is is decorative, and burnishing is a process of using friction to create a smooth, glassy edge that protects it from fraying. Only vegetable tanned leather will burnish properly.

Next, the smaller T-slot is glued to the top of the of body.

Few card holders utilize the design I’m employing. It does takes more work to glue and sew the extra material at the top, but it offers several advantages. 1. The middle pocket will be lined with leather 2. The top of the wallet is stronger 3. The edges are all one thickness, making it very sleek and streamlined.

The next T-slot can be immediately glued on.

Next, this pocket is prepared for stitching.

The pocket is sewn on and the stitching is flatten with flat-faced pliers.

The next card pocket is then glued on.

The top of the body is trimmed flush. Most handmade goods skip trimming which lead to poor finishing (if done at all) and crooked stitching lines.

Everything needs to be perfectly even for proper edge finishing and straight lines of stitching to take place.

Next, the stitching holes are made.

The tops are saddle stitched and the top is creased and burnished.

The two halves are now ready to be glued together. First I rough up the interior edges for better adhesion. Then the halves are carefully aligned.

As you can see, the top is lined up just right, but the other edges aren’t even. The wallet is made oversize for this reason. I now will take about 2 mm off the side and bottom and take the whole wallet to its final size.

The wallet has been trimmed and the stitching holes made. The dimensions have been carefully thought out so all the stitches are the same size and the card slots are not pierced.

Wallet is saddle stitched. Almost done here. Saddle stitching takes a lot of time, but other forms of sewing cannot compare in aesthetic or strength.

Sewing has been finished. Next the edges will be rounded, creased, and burnished.


The Making of a Minimalist Bifold

Here’s how we make our minimalist bifold.

We use traditional techniques with leather from some of the highest regarded tanneries in the world to produce an item that is built to last for many years and age beautifully.

Below, I’m using Pueblo from the Badalassi Carlo tannery in Italy. It’s a vegetable tanned leather that has a slightly roughed up surface that gives it its distinctive, vintage look. These fibers will compact over time, giving it a great looking sheen.

These are the hand tools I’ll be using in making the wallet.

Leather is selected and pieces are cut. The exterior is the ortensia color, a stunning blue-green, and the interior is the cognac color.

The “T-slot” is thinned down with a French edger to reduce bulk.

Pockets are creased.

Edges are beveled and burnished.

Bevelling removes a thin strip of leather, rounding the edge.

Burnishing is a process of using friction to compact the fibers. It’s only possible to burnish vegetable tanned leather. Pueblo burnishes beautifully, becoming quite glassy.

I use water, CMC, and mill wax in the edge finishing. Varying grits of sandpaper are also essential in achieving a super smooth edge.

Pockets are glued to panels.

T-slot is sewn to panel.

Pocket is glued beneath T-slot, and left side is trimmed. Trimming provides a perfectly smooth edge, which will greatly aid in edge finishing.

Pocket is sewn on. The edge is then creased, beveled, and burnished as before.

Lining is glued to body.

Panels are glued on to body, and the wallet is trimmed to size.

Stitching holes are made.

Wallet is saddle stitched. Saddle stitching is a method of using two needles to achieve a very strong stitch that won’t unravel if a thread is cut.

Outer edges are creased, beveled, and burnished.

The wallet is finished.

Thanks for taking a look at our build process!

How to Make a Minimalist Wallet

Here’s how we make our minimalist wallet.

I’m using one of my favorite leathers, ‘Wax’ from the Badalassi Carlo Tannery in Italy. It is a full vegetable tanned leather with pull-up effect.

Pictured below are most of the tools you need. You’ll also need a stitching pony, a ruler, a cutting mat, a polyethylene board, a glue spreader, and a bone folder.

As far as consumables go, you’ll need some thin leather something around 0.8mm-1.1mm (2-3oz) will do the trick. Ours is 0.8mm (2oz) thick. Also needed is glue, thread, water, a finishing agent, and some finishing wax.

Step 1: Cut out the pieces


Step 2: Glue smaller T-slot onto back of small panel. The panel will face the inside of the wallet, making the wallet semi-lined. We use a water based contact adhesive.

Steps 3: Use a creaser to add a decorative line to the top of the T-slot, card pocket, and the back piece.

Step 4: Apply water to the top of the pockets, one by one. Use a canvas cloth to burnish. Use light pressure and be patient; it takes some time. Once your edge starts to look fairly shiny and smooth, you can then apply a finishing agent (we use Tokonole) and continue burnishing. Finally impregnate your canvas with some finishing wax (we use Columbus) and continue to burnish to a smooth, shiny finish.

Steps 5: Glue  finished T-slot under the 1st piece. Glue thinly on bottom of T-slot, too. Mark your stitching line with a wing divider.

Step 6: Punch stitching holes.

Step 7: Saddle stitch T-slot onto panel.

Step 8: Tap down stitches with a cobbler’s hammer.

Step 9: Glue as shown below. There’s a thick band of glue because we’ll be trimming it.

Step 10: Attach the two pieces and tap down with a cobbler’s hammer to promote adhesion.

Step 11: Trim the whole piece to size. Our wallet measures 10.5cmx7.8cm. We used a custom die to save some time, but using a knife accomplishes the same thing.

Step 12: Mark stitching line on top of wallet and punch.

Step 13: Saddle stitch top.

Step 14&15: Add decorative crease to the top of the wallet, and burnish as described before.

Step 16: Prepare front to be glued, by roughing up the edges with sandpaper as shown.

Step 17: Glue front and back. Did you make sure you finished the top edges? Line up the tops to be flush and leave room on the sides and bottom to trim.

Step 18: Trim around the correctly-sized front to make the whole piece flush. Keep your knife blade perpendicular to the surface, especially when cutting the corners.

Step 19: Mark or finish making your stitching line.

Step 20: Punch the holes. Start with where the card slots are and line up stitching chisels correctly so that you don’t pierce the edge of your card slots. Do this for both sides, and continue around the wallet until you’re done.

Step 21: Saddle stitch. Here’s ours halfway done.

Step 22: Bevel and crease the edges.

Step 23: Lightly sand the edges. Start out with something like 280, and work your way up to around 1200.

Step 24: Use burnishing method described in the earlier steps.

Step 25: Move a bone folder around the inside of the wallet to remove any glue from doing anything unwanted.

Step 26: Admire the awesome wallet you just made!







The Making of a Modern Bifold

Made a new product today, the modern bifold. 

I wanted to make a slim wallet with 6 card slots and room for bills.

I used floating card pockets of which bills can be placed in back of, keeping the wallet nice and trim.


I’m using some really nice soft Italian veg tan from the Badalassi Carlo tannery.

First, the pieces are cut.


A decorative crease is added to the top of each pocket. Some water, a Japanese finishing agent, and wax are used to burnish the top of the pockets to a smooth glassy texture.


All 4 of the V-slots are glued on and sewn, creating the first 4 pockets of the wallet.


The last pocket is glued on, the pocket assembly is trimmed to size, and the top and inside-facing portion of the pocket assembly is sewn.



A crease is added next to the stitching and those edges are burnished.


The main body pieces are glued together, trimmed, sewn on the top, and burnished.


Pockets are glued on, wallet is trimmed to size, and holes are made for sewing.


Wallet is sewn. Then an edge beveller is used to round the edges, followed by adding a crease all around the inside and outside of the wallet. Finally the outer edges of wallet are burnished. The wallet is complete!


Here are some extra shots of the completed wallet: